Intertextuality, exegesis, and composition in polytextual motets around 1500

Intertextuality, exegesis, and composition in polytextual motets around 1500

<p>Over 450 motets survive from the fifteenth and sixteenth centuries which were composed with multiple simultaneously sounding texts. The size of this repertory has been underestimated and its importance under-acknowledged. Narratives of the genre overemphasize early fifteenth-century (and ea...

Detaylı Bibliyografya
Yazar:	Kolb, P
Diğer Yazarlar:	Bent, M
Materyal Türü:	Tez
Dil:	English
Baskı/Yayın Bilgisi:	2013
Konular:	16th Century music 15th Century music

Benzer Materyaller

The Proportionale musices of Iohannes Tinctoris
Yazar:: Woodley, R, ve diğerleri
Baskı/Yayın Bilgisi: (1982)

‘Aptlie framed for the dittie’: a study of setting sacred Latin texts to music in sixteenth-century England
Yazar:: Ku, CJS
Baskı/Yayın Bilgisi: (2014)

Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
Yazar:: Rees, O
Baskı/Yayın Bilgisi: (2005)

The motet around 1500
Yazar:: Bent, M
Baskı/Yayın Bilgisi: (2007)

The symphonies of Charles Villiers Stanford: constructing a national identity?
Yazar:: White, J, ve diğerleri
Baskı/Yayın Bilgisi: (2014)

Early twentieth-century discourses of violin playing
Yazar:: Knapik, S
Baskı/Yayın Bilgisi: (2011)

Imperial and Colonial Encounters: Some Reflections
Yazar:: Sanjay Subrahmanyam
Baskı/Yayın Bilgisi: (2005-02-01)

The polyphonic hymns of Valentin Triller’s 'Ein Schlesich singebüchlein' (Wrocław 1555), ed. Antonio Chemotti, Warsaw 2019
Yazar:: Marc Desmet
Baskı/Yayın Bilgisi: (2020-04-01)

To repeat (or not to repeat)? Dance cues in Restoration English opera
Yazar:: Burden, M
Baskı/Yayın Bilgisi: (2007)

Mrs Billington’s embonpoint;
Yazar:: Burden, M
Baskı/Yayın Bilgisi: (2008)

Portfolio of compositions and critical writing
Yazar:: Garrard, C
Baskı/Yayın Bilgisi: (2013)

French lute-song, 1529-1643
Yazar:: Le Cocq, J
Baskı/Yayın Bilgisi: (1997)

Some shorter satirical poems in English from the thirteenth to the early sixteenth centuries
Yazar:: Fahey, K, ve diğerleri
Baskı/Yayın Bilgisi: (1993)

Imaging Mandane: character, costume, monument
Yazar:: Burden, M
Baskı/Yayın Bilgisi: (2008)

‘Following the male gaze; Visiting the Green Room at London’s Opera House’
Yazar:: Burden, M
Baskı/Yayın Bilgisi: (2012)

Sacred polychoral music in Rome, 1575-1621
Yazar:: O'Regan, T, ve diğerleri
Baskı/Yayın Bilgisi: (1988)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
Yazar:: Stokes, M
Baskı/Yayın Bilgisi: (2006)

Adam Smith and the Dark Nightingale: on twentieth-century sentimentalism
Yazar:: Stokes, M
Baskı/Yayın Bilgisi: (2006)

The impact of recording on listening
Yazar:: Clarke, E
Baskı/Yayın Bilgisi: (2007)

Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
Yazar:: Ballantyne, AL
Baskı/Yayın Bilgisi: (2014)

The Myth of Early Globalisation: The Atlantic Economy, 1500-1800
Yazar:: Pieter Emmer
Baskı/Yayın Bilgisi: (2008-09-01)

Sixteenth-century intabulation processes and their relationship to the formation and understanding of Sweelinck's keyboard style
Yazar:: Souter, M
Baskı/Yayın Bilgisi: (1990)

El empréstito en la Sevilla Bajomedieval
Yazar:: Antonio Collantes de Terán Sánchez
Baskı/Yayın Bilgisi: (2009-12-01)

Performing a political shift: avant-garde music in Cold War Spain
Yazar:: Sacau-Ferreira, E
Baskı/Yayın Bilgisi: (2011)

My encounter with Walter N. Harding
Yazar:: Burden, M
Baskı/Yayın Bilgisi: (2012)

Renaissance music in the Slavic World, eds. Marco Gurrieri, Vasco Zara, Turnhout 2019
Yazar:: Antonio Chemotti
Baskı/Yayın Bilgisi: (2021-04-01)

Las transformaciones de la serranilla entre Edad Media y Renacimiento
Yazar:: Álvaro Alonso
Baskı/Yayın Bilgisi: (2019-02-01)

Agency, physicality, space: analytical approaches to contemporary Nordic concertos
Yazar:: Munk, J
Baskı/Yayın Bilgisi: (2011)

Organ reform in England: aesthetics and polemics, 1901-1965
Yazar:: Prozzillo, N
Baskı/Yayın Bilgisi: (2011)

Hermann Levi's shame and Parsifal's guilt: a critique of essentialism in biography and criticism
Yazar:: Dreyfus, L
Baskı/Yayın Bilgisi: (1994)

'How shall we sing the song of the Lord in a strange land?' English Catholic music after the Reformation to 1700: a study of institutions in Continental Europe.
Yazar:: Cichy, A, ve diğerleri
Baskı/Yayın Bilgisi: (2014)

Interpreting digital images beyond just the visual: crossmodal practices in medieval musicology
Yazar:: Eden, G, ve diğerleri
Baskı/Yayın Bilgisi: (2012)

Digital images of medieval music documents: transforming research processes and knowledge production in musicology
Yazar:: Eden, G, ve diğerleri
Baskı/Yayın Bilgisi: (2012)

«Approchez avec crainte de Dieu, foi et amour» : le programme iconographique de la travée occidentale de l’abside en Moldavie (XVe – XVIe siècles)
Yazar:: Vlad Bedros
Baskı/Yayın Bilgisi: (2015-12-01)

Cadence as a “Metaphor of Instability” and “Conclusive Unity”: A Brief Excursus Between Grammar and Music
Yazar:: Carlos Cascarelli Iafelice
Baskı/Yayın Bilgisi: (2019-09-01)

Music in 19th-Century Venezuela
Yazar:: Mariantonia Palacios
Baskı/Yayın Bilgisi: (2013-05-01)

Fluid texts, moving arias, shifting sands;
Yazar:: Burden, M
Baskı/Yayın Bilgisi: (2011)

Napoleon and British popular song, 1797-1822
Yazar:: Cox Jensen, O
Baskı/Yayın Bilgisi: (2014)

Contrafacta. Modes of music re-textualization in the late sixteenth and seventeenth century, eds. Marina Toffetti, Gabriele Taschetti, Kraków 2020
Yazar:: Nicolò Ferrari
Baskı/Yayın Bilgisi: (2021-04-01)

Antijudaïsme, pouvoir politique et administration de la justice. Juifs, chrétiens et convertis dans l’espace juridictionnel de la Chancillería de Valladolid (XVe-XVIe siècles)
Yazar:: Elisa Caselli
Baskı/Yayın Bilgisi: (2011-05-01)