Symphonic style and structural tonality in the late eighteenth century with special emphasis on the music of Haydn
<p>This thesis takes as its starting-point the theoretical and critical writings on music from the second half of the 18th century - mostly by German authors such as H.C. Koch and J.F. Daube. The intention is to illustrate the preoccupations and concepts of these authors in the period associa...
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| Formáid: | Tráchtas |
| Teanga: | English |
| Foilsithe / Cruthaithe: |
1980
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| Ábhair: |