The weaponisation of the camera: filmic interventions into (and out of) extraordinary political events
<p>I begin this thesis by exploring the postmodern status of the camera, theory, and audio-visual art in early reactions to 9/11. I outline my theoretical framework: from the concepts of weaponisation and the frame to the responsive eye and reflexive intervention. In Chapters 2 and 3, I offer...
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| Format: | Thesis |
| Language: | English |
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2021
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