‘I am a double-voiced […] bird’: identity and voice in Ulrike Almut Sandig’s poetry
With reference chiefly to Dickicht (2011) and ich bin ein Feld voller Raps, verstecke die Rehe und leuchte wie dreizehn Ölgemälde übereinandergelegt (2016) this paper will demonstrate that voice is a key concern of the poet and that the voices created in Sandig’s collections are deliberately constru...
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Format: | Journal article |
Language: | English |
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Taylor and Francis
2018
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