The identity, application and legacy of Paul Hindemith’s theory of music
<p>This thesis investigates the relationship between Hindemith’s music theory and his evolving compositional practice. It focuses on the first volume of his Unterweisung im Tonsatz (1937); both evaluating the very identity of the treatise and analysing how it may be applied to free composition...
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| Format: | Abschlussarbeit |
| Sprache: | English |
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2013
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