Counterpoint, 'fuge', and 'air' in the instrumental music of Orlando Gibbons
<p>This thesis develops an analytical approach to the instrumental music of Orlando Gibbons (1583-1625) based on close readings of historical theory sources, primarily by Thomas Morley, John Coprario and Thomas Campion. Music of the early seventeenth century can be difficult to analyse, since...
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| Format: | Thesis |
| Language: | English |
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2015
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