(En) Corps Sonore: towards a feminist ethics of the ‘idea’ of music in recent French thought
<p>This thesis explores the way music is characterized, used, or accounted for in recent (post-1968) French thought, focusing in particular on the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Alain Badiou. In spite of the differences in their philosophical-theoretical positions, all o...
Autor principal: | Hickmott, S |
---|---|
Altres autors: | Maclachlan, I |
Format: | Thesis |
Publicat: |
2017
|
Matèries: |
Ítems similars
-
Agency, physicality, space: analytical approaches to contemporary Nordic concertos
per: Munk, J
Publicat: (2011) -
Lo-Fi aesthetics in popular music discourse
per: Harper, A, et al.
Publicat: (2014) -
The identity, application and legacy of Paul Hindemith’s theory of music
per: Desbruslais, S, et al.
Publicat: (2013) -
“Austrian Popular Music Studies”: A Critical Assessment
per: Bernhard Steinbrecher
Publicat: (2023-04-01) -
The Role of the Cello in the 20th-Century Rock Music
per: Dukov Evgeny
Publicat: (2024-09-01)