A computational corpus study of harmony in the music of Anton Webern

A computational corpus study of harmony in the music of Anton Webern

This thesis sets out to apply digital analysis to the music of Anton Webern, with the aim of quantifying elements of his harmonic style, and tracing their change across his practice. It is a corpus study, taking Webern’s 31 works with Opus numbers as its subject, and uses music21 for the data collec...

書誌詳細
第一著者:	Ballance, J
その他の著者:	Cross, J
フォーマット:	学位論文
言語:	English
出版事項:	2023
主題:	Musical analysis Twelve-tone system Atonality Music Harmony Hierarchical clustering (Cluster analysis) Regression analysis Second Viennese school (Group of composers) Serialism (Music)

類似資料

Slovenian Twelve-Tone Music
著者:: Gregor Pompe
出版事項: (2018-11-01)

Review of An Introduction to Atonal Music Analysis
著者:: Mohammad Reza Azadehfar
出版事項: (2017-09-01)

Tonal and "Anti-Tonal" Cognitive Structure in Viennese Twelve-Tone Rows
著者:: Paul T. von Hippel, 等
出版事項: (2020-10-01)

Analysis of the harmonic structure in the musical compositions of the artist Khaleel Ismail
著者:: Wael Ibrahim Khalil, 等
出版事項: (2023-03-01)

On Witold Lutosławski’s Artistic Self-Awareness. A Survey of Very Recent Research
著者:: Skowron Zbigniew
出版事項: (2016-12-01)

Adorno in Czechoslovakia: Music, Theory, Aesthetics
著者:: Vladimír Fulka
出版事項: (2020-12-01)

Corpus Studies of Harmony in Popular Music: A Response to Gauvin
著者:: Trevor deClercq
出版事項: (2015-12-01)

EXSPERSSIONISM – PART OF AESTHETIC MODERNISM
著者:: EHUPOV, RALUCA ROMANA ELENA
出版事項: (2021-06-01)

“My” “Musical” “Language” ?
著者:: Augustyn Rafał
出版事項: (2015-12-01)

Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
著者:: Daniela Fugellie
出版事項: (2021-02-01)

The rhetoric in four composers of Brazilian colonial music: Manuel Dias de Oliveira, José Joaquim Emerico Lobo de Mesquita, André da Silva Gomes and José Maurício Nunes Garcia
著者:: Eliel Almeida Soares
出版事項: (2019-08-01)

A Reception of the Aesthetic Thinking of Theodor W. Adorno in Czech and Slovak Musicology within 60s to 80s of the 20th Century
著者:: Vladimír Fulka
出版事項: (2020-07-01)

Karel Janeček − a leading figure in Czech Music Theory and Pedagogy: his theoretical writings from the 1930s and 1940s
著者:: Miloš Hons
出版事項: (2021-12-01)

Armonia in movimento. La genesi della danza libera di Rudolf Laban e le teorie musicali e pittoriche del suo tempo
著者:: Susanne Franco
出版事項: (2020-06-01)

Wittgenstein’s Language Game and Musical Language (of The Second Viennese School) – Meaning and Understanding
著者:: Milica Lazarević
出版事項: (2016-04-01)

Tiberiu Olah’s Evenimente 1907 (Events 1907). Modernism Disguised in a Historical Movie Score
著者:: Olguța LUPU
出版事項: (2024-12-01)

'Material' in Adorno's sociology of music
著者:: Jeremić-Molnar Dragana, 等
出版事項: (2008-01-01)

George Perle’s Twelve–Tone Tonality: some developments for CAC using PWGL
著者:: Telmo Marques, 等
出版事項: (2013-01-01)

ASPECTS RESULTING FROM THE ANALYSIS OF THE TONE ROW USED IN DE PROFUNDIS BY ARNOLD SCHOENBERG
著者:: Alexandra BELIBOU
出版事項: (2020-06-01)

Art Music Composition in Malaysia: A Focus on Three Composers
著者:: Lam, Ming Huey
出版事項: (2000)

An Issue between Contemporary Theory and Modern Compositional Practice A Study of Joseph Straus’s Laws of Atonal Voice Leading and Harmony using Webern’s Opus 12/2 and Crawford’s String Quartet Mvt. 3
著者:: Yi-Cheng Daniel Wu
出版事項: (2013-12-01)

Derivative Analysis and Serial Music: the Theme of Schoenberg's Orchestral Variations Op.31
著者:: Carlos de Lemos Almada
出版事項: (2016-04-01)

“He Has Music in Him”: Musical Moments, Dance and Corporeality in Joker (2019)
著者:: Jessica Shine
出版事項: (2024-07-01)

The Expectancy Dynamics of Anti-Tonal Twelve-Tone Rows: A Commentary and Reanalysis of von Hippel & Huron (2020)
著者:: Niels Chr. Hansen
出版事項: (2020-10-01)

The Musical Arrangement of a Live-Action Film
著者:: Лілія Єременко, 等
出版事項: (2021-12-01)

New Musical Writing Processes for Cinema
著者:: Roberto Calabretto, 等
出版事項: (2025-02-01)

The Creative Work of Women Composers in 20th-century Serbian Music in General Music Education
著者:: Мirko Jeremić, 等
出版事項: (2023-12-01)

MUSICAL CHARM OF M. STEPANENKO IN THE EDUCATIONAL PROCESS
著者:: V.V. Byelikova
出版事項: (2009-06-01)

Forgetting аbout traumatic past? On the position of film music composers in post-WWII germany
著者:: Piotrowska Anna G.
出版事項: (2024-01-01)

The musical harmony of words in the 30th section of Quran and its manifestation in four translations of Quran
著者:: Ommol-Banin Khaleghian@gmail.com
出版事項: (2010-12-01)

Individual differences in nonnative lexical tone perception: Effects of tone language repertoire and musical experience
著者:: Xin Ru Toh, 等
出版事項: (2022-09-01)

An Interview with Professor Susan McClary: The Development of Research on Gender and Music
著者:: Sam de Boise, 等
出版事項: (2019-04-01)

Music and Emotion: a composer’s perspective
著者:: Joel eDouek
出版事項: (2013-11-01)

An Analysis of F. Chopin’s Music Language in Terms of Melody, Harmony and Rhythm
著者:: Levent ÜNLÜ, 等
出版事項: (2024-06-01)

Art, Heart, and Soul Music: Spiritual Values and Implications of Relational Composition within Community Music
著者:: Fiona Evison
出版事項: (2022-10-01)

Reimagining a Riemannian symbology for the structural harmonic analysis of 19th-century tonal music.
著者:: Marcus Alessi Bittencourt
出版事項: (2013-12-01)

Integrity and Improvisation in the Music of Handel
著者:: Harris, Ellen T.
出版事項: (2018)

Making The Ballet of the Nations: Composing
著者:: Robert Bentall
出版事項: (2019-03-01)

Atonal Music as a Model for Investigating Exploratory Behavior
著者:: Iris Mencke, 等
出版事項: (2022-06-01)

“ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN
著者:: Stela GUŢANU
出版事項: (2012-12-01)