Hans-Joachim Koellreutter and South American Music at the Internacional Summer Courses of New Music in Darmstadt (1949-1951)
The International Summer Courses of New Music in Darmstadt constituted one of the most important centers for contemporary music after World War II. Since their beginnings in 1946, some Latin American composers participated in the courses. This article embraces the presence of South American music be...
Main Author: | Daniela Fugellie |
---|---|
Format: | Article |
Language: | English |
Published: |
Escola de Música da UFMG
2021-02-01
|
Series: | Per Musi |
Subjects: | |
Online Access: | https://periodicos.ufmg.br/index.php/permusi/article/view/24954 |
Similar Items
-
Slovenian Twelve-Tone Music
by: Gregor Pompe
Published: (2018-11-01) -
Sound-Silence in Concretion 1960 by H. J. Koellreutter
by: Luigi Antonio Irlandini
Published: (2018-08-01) -
O Melos e Harmonia Acústica 1988 de César Guerra-Peixe: um breve estudo de sua estrutura e das influências de Hans Joachin Koellreutter e Paul Hindemith em sua confecção
by: Ernesto Hartmann
Published: (2015-10-01) -
Que ismo é esse, Koellreutter?: Guerra-Peixe and Lopes-Graça Intertwining Twelve-Tone Threads (1944-1958)
by: Ana Cláudia de Assis
Published: (2016-11-01) -
A viola caipira como instrumento musicalizador: (re/i)novação e/ou manutenção da carga cultural a ela atrelada?
by: Leandro Drumond Marinho
Published: (2016-06-01)